Category Archives: creative solutions

haiku meditation: vowel-consonant collaboration

http://farm3.staticflickr.com/2120/1883564903_1a7fb38115_z.jpg

Tumbling upstream

against the racing current–

a white downy seed.

–J. W. Hackett, Haiku Poetry: Volume Two

My favorite line is the first because of the “u” sound and its collaboration with the “mb” in “tumbling” and “p” in “upstream.”  These combinations repeat the darker gurgling sounds of creek currents–that sound that occasionally bubbles up from underneath, bringing to the surface nutrients that lie below.

Line two continues the mystery of what can “tumble” against such a current, in part because I imagine tumbling as a grounded movement involving traction, or a movement of powerful muscles like those of the salmon.

Line three belies the idea of traction because the unseen wind is sending the seed upstream.  The seed is tumbling against, but the “against” is nominal and abstract.  Yes, this dandelion seed is traveling in the opposite direction, but not  with any traction per se.  It skips, like the slender stone I used to throw across the stream behind my grandparents’ house.

Also, in this third and last line the impact of the “u” sound returns.  Whereas the grounded tumbling starts the poem, a whispy white featheriness ends it. The “wh” combines with a long “i,” and the “w” in “downy” repeats this slight consonant.  Like “i” in “white,” the long “e” in “seed” gives this line a higher, airier feel; it sings soprano to the first line’s base notes.  It lifts the poem out of its initial mystery, sending the seed to land who knows where.

Yes, the current of water is “racing,” yet the slight seed moves against it even so.

 

photo credit: http://farm3.staticflickr.com/2120/1883564903_1a7fb38115_z.jpg

 

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“And at times the fact of his absence will hit you like a blow to the chest, and you will weep.”

A family tribute to our good friend who died suddenly several days ago.

“And at times the fact of his absence will hit you like a blow to the chest, and you will weep.”.

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poem for a friend on his birthday

As a young boy, he clutched a book about Mickey Mantle,

in the car outside the doctor’s office.  He held on,

as if it were a Louisville slugger, and his grandfather

called him Homer, for his legendary hit in little league.

He never finished reading–the book kept eluding his grasp.

He remembers loving the feeling of almost gaining

momentum with this man’s story–he was such a force,

so comforting in his own mesmerizing way.

Now, a teacher meets young flustered faces in the hallway.

He stops to hear  their stories, tries to grasp their worries,

comforting them, with his own watchful eye

on the ball coming anxiously across his plate.

The little boy will understand some day what it means

to read a story to the end; in the meantime, he has a teacher.

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Teaching Emotional Topics

This piece, among other benefits, reinforces the valuable role of students’ prior knowledge, especially with emotional subjects like yesterday’s bombing in Boston.

Steve Goldberg's avatarWhat I Learned Today

We will start our days at TLC Middle School by reading the day’s news.  Today, the main story is obvious — what happened at the Boston Marathon?

This was an awful raw event, and my thoughts and prayers are with the people of Boston, my home town. Thankfully, all of my family and friends are accounted for and safe — but it’s been a gut-wrenching 24 hours.

As of mid-day on Tuesday, April 16, we don’t know a lot beyond these basics, from the Boston Globe: two bombs went off near the finish line of the Marathon; three people have been killed; more than 170 have been injured, and 17 are in critical condition.

A lesson I learned as a young teacher 15 years ago is that it’s crucial, before starting a discussion with student about an emotional topic such as this one, to see if any students in…

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Initial thoughts: Preface and first 2 chapters

As part of an experimental month-long “biography unit,” in which seniors choose someone else’s life to read about, this student has already drawn inspiration from her chosen book, and, in the process, shown me what’s possible when young adults play a significant role in designing their curriculum.  This post reinforces my belief that with their help, we can find ways for  high school seniors to make meaningful use of their waning weeks.

krispykreme101's avatarkrispykreme101

In the preface of the book, the authors give an explanation as to how they came to write the biography. Initially, they said, they were just going to write a book that included information about her missionary work, only to realize that she was a book unto herself. In 1968, they attended a church service in Germany. The authors listened to two speakers who had both been prisoners in a Nazi concentration camp. They note that the first speaker, understandably, showed the deep pain that he not only felt then but continues to feel in his everyday life. The second speaker, Corrie, they said, “radiated love, peace and joy”, words that I would not have imagined to describe someone who had gone through what someone like herself had. The authors, so taken aback by her spirit, stayed behind afterwards and talked to her. They learned that Corrie was spending her…

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discovering feedback

This is a small discovery–realization really.  It is also a large discovery–a revelation that makes a large “chink” sound, as a few more pieces fall into place.

My students recently drafted poems–sonnets or odes.  They submitted them to TURNITIN.COM, which we have been using all year.  The site allows voice comments, which I have occasionally used for student paragraphs and essays.

For several reasons, which I will describe later, I realized the voice comment feature allows me to first read the poem to the student, before giving suggestions.  I let the students hear their poems from another voice, while I meet and start to know that poem.

Some years ago, my wife described the part of teaching that watches performance and tells the child that we are watching.  Certainly we give tips on how to improve performance, but we need to remember the value of simply watching and being there with them.  The familiarity, knowledge and love that develop as we do this means something for us and the students.

It’s like watching the child who, while standing on the edge of the diving board, calls out, “Mommy, watch me, watch me.”  We call back, “OK, I’m watching.”  Reading their poems back to them with this technology is like this.  I am happy and energized to make the discovery.  The process looks simple, but the results feel like more than that.

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As seniors near the end of HAMLET, I offered them these thoughts. The initial inspiration came from the NYTimes obituary for Chinua Achebe.

bllbrwn423's avatarENG 12H

achebe. newsday.com“Be true to the story,” remarks the main character in N. Scott Momaday’s novel, The Ancient Child.  He is an artist from whose paintings a mysterious figure begins to emerge over time.  The features of this apparition make it bear-like, and the painter must stay true to the story of this bear’s surfacing.  He fights to face the bear, as unsettling as this struggle might be.

I was reminded of Momaday’s novel, while reading yesterday’s obituary of Nigerian writer, Chinua Achebe, whose novel, Things Fall Apart, has made, and keeps making, a remarkable global impact since its publication in 1958.  This obituary includes John Updike’s  assessment that Achebe “grabbed the subject of colonialism ‘so firmly and fairly’ that the book’s tragedy, like Greek tragedy, felt tonic; a space had been cleared, an understanding had been achieved, a new beginning was implied” (NYTimes, 23 Mar 2013: A14).  Updike’s…

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This inspiring example of learning also shows me creative ways to shape blog posts.

Steve Goldberg's avatarWhat I Learned Today

Here’s a great example of how a news article we might read in the morning at TLC Middle School can be used as a springboard to learn in a truly multi-disciplinary way.

Let’s look at this recent NPR feature about grapes, which caught my attention both with the picture and the clever headline:

npr grapes

At TLC Middle School, here’s how we might discuss this article.

First, we would all read the NPR article (go ahead and read it — it’s not long).

The article describes how one part of plants work:

Plants have two types of pipes in their stems: the xylem and the phloem. The xylem pumps water to the leaves from the roots, while the phloem sends food from the leaves back down to the roots.

After we read that, I’m pretty sure we could find an image of xylem and phloem from an online biology text…  Yep —…

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Is this cheating?

IS THIS CHEATING?

Students are returning from vacation, and I have imagined a “real-world” writing assignment.  Although this outline represents my draft thoughts, I am leaning towards using it as a welcome-back exercise–in an attempt to  have the departing seniors (a) write with meaningful purpose and (b) play a significant role in designing our experimental “biography unit.”  Is it cheating to have them spend time writing such an essay?  I don’t think so, but thought it would be fun to ask colleagues and other readers.

Incidentally–don’t tell the students–the “list” they will pick up comes from Tony Wagner’s recent writings.  I won’t name which ones, in case some students are closely following this personal blog.  (A number of them subscribe to our course blog.)

bllbrwn423's avatarENG 12H

DRAFT LESSON PLAN reflection

List seven basic skills you will take away from your high school experience.

Pick up list of seven skills identified by recent book on the issue.

Reflect on similarities and differences between these two lists.  For example, what do these patterns mean about your past and future formal schooling?

Use these reflections to write an essay that follows this format:

intro to main idea

most exercised skill in this class

least exercised skill in this class

implications for design of upcoming “biography unit”

concluding thought, which offers insight gained from preceding analysis

(due to TURNITIN by end of this week’s block class; include amended pledge, which acknowledges, for example, conversations with classmates)

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Do we really need poetry?

In several of today’s classes–two sophomore and one senior–we listened to the NPR piece about John Borling’s book of poems, Taps on the Walls.  Having heard this interview during my drive to work this morning, I wanted to share it with students, and hence with readers of this blog.  It is a remarkable answer to a question I have asked my poetry classes in the past:  do we really need poetry.

After students listened to the program, which I recommend you do (7’48” long), we literally tried our hands at composing with the code used by Major General Borling and his prison mates.  Since the sophomores are just finishing The Kite Runner, I asked them to start a poem in the voice of Amir–a poem expressing what Sohrab means to him.  Then they were to try tapping the first line of this poem for their neighbor, as one concrete way to appreciate the importance of poetry for Mr. Borling during his six and a half years of brutal captivity. You can catch a glimpse of their handiwork on the youtube video above. I hope this mini-lesson opens for them a small window on the remarkable human spirit and its need for artistic expression.

p.s. Apologies for the extra youtube videos; I am trying to learn how to post just the one video I made, without these extraneous, unendorsed connections.

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